Sunday, 6 December 2015

The Challenges of Migrating from Conventional to Digital Arts the 21st Century in Nigeria’s Tertiary Institutions (1)




Flinger Nose Comics Correspondence (FNC) http://flingernosecomics.blogspot.com, had an interactive session with Dr. Adeyemi (Ph.D, fsna), a visual artist, a critic, a lecturer, the director of Kunle Adeyemi studio and the current H.O.D of Graphics Department, Yaba College Of Technology, Nigeria’s premier tertiary institution. Our correspondents caught up with him and found out his opinion on the Theme:   The Challenges of Migrating from Conventional to Digital Arts the 21st Century in our Tertiary Institutions. And despite his busy schedule, he still made out some time out for us. Please read on.







FNC:  Sir, it is no news that the Yaba College of Technology, YCT, was founded during the colonial era. And some of the college’s legacy still stands on today; one, being one of the foremost places of studying Arts. The school had produced countless numbers of renowned artists within and beyond of the shores of the country. People like Prof Yussuf Grillo, Dele Jegede, Jossy Ajiboye, and Bruce Onabrakpraye to mention a few. Some had made indelible marks in the fields of painting, Graphics, sculpting and other forms of visual arts.  Without under estimating the need for a proper foundation in  any of these Arts divisions, today there seem to be a paradigm shift in the way Art is done all over the world. Art as we know is always evolving and as we can see, most modern arts are digitally handled today in today’s corporate world. In the areas of advertisement and entertainment alone, millions of virtually created imageries are projected every minute either on the internet or on the TV. And that is why the power of the modern day computational devices cannot be overemphasized. But it is also noticed that out of all the various Departments in the School of Art, Design & Printing at Yaba College of Technology, it is only the Graphic Design Department that is encouraging its students to make a little bit use of the Computer technology for carrying out their assignments.
Now as an instructor, a pioneer in the field and the current HOD, do you think that Art curriculum in our tertiary institutions in general is adequate enough to prepare our student’s for the Modern day digital Art challenges out there after graduation?

Answer: - That is a very challenging question but then according to a Yoruba proverb, “Ode iwoyi lo n pa eran iwoyi”, meaning, it is the hunter of today that will kill the animal of our time. That is, as things are becoming more dynamic, a lot of us need to change our attitude too. The driver of the system never stops, and that’s technology. Before now we used to have the Machine revolution, later came the Information Technology and the Conceptual space now we have the Cyber revolution. For example you can see that I just confirmed my flight now on my tablet without calling anybody or leaving here. So as artists we too must move with the trend. Even if you don’t know, as an art teacher you must go and retrain yourself – i.e. retrain the trainer. And that is the beauty of academics. You are not limited, you are not static, and you are not stagnated. You thrive to be relevant in order to dominate, and if you are willing to take the challenge you will continue to dominate.
Some people would like to make everything appear as uncommon; they want people to believe that they are special kind of people, as the Yoruba’s would say, “Akanda eniyan”. Believing that what they can do others cannot accomplish? But that is a lie, God made everyone the same, it is now left for you to carve out your niche and find your edge. If you can carve that niche, then people will welcome your ideas, you will be able to direct people, you will be able to lead, influence, innovate and be part of the development in your community.
After all we were trained in an era where there was only one computer in the whole community and we later moved on. So we need to upgrade. More importantly, the higher institution should be the last developmental stage for anybody, although not an end in itself, but a means to an end. Education must begin to evolve and that doesn’t mean we cannot go back to what we did in the 60s, but with better refinements. So education must continue to evolve from time to time.




FNC:  Thank you Sir. We also noticed as an external observer that sometimes we may not be able to differentiate between the assignments or projects done by students of Ordinary National Diploma (OND) from those done by those in Higher National Diploma (HND) due to the fact that most of their mediums of expressions are the same, Gouache,  Oil, Acrylic, Clay, Wood, Metal and what have you.

Answer: - First, as far as the projects are concerned, there are differences in them. During my time we call it OND, that is, Ordinary National Diploma, not ND, but it was well filled. Not that I am berating the present system now, but projects of students in ND are expected to give you a skill that will take you to a sub- managerial level, just in case you did not return  for your HND it should be able to suffice you. As I said earlier there are differences in these works that may not be very visible to an outsider. ND is meant to prepare you if you decide not to return for HND. But as you return, you are expected to specialize. I tell my HND students when they return that they are now viewed as professionals.
 Art teachers are meant to direct and guide, not to teach, else the student s will not learn. For example I just did 14 colours myself and I gave my HND students an assignment of 8 colours to do. Those students now will try to achieve that because they have seen that even 14 colours is possible.
Now going back to your earlier question, art is all about talents and that is why sometimes that the work of a ND student will appear to be better than a HND’s to an external observer. But when we compare works of such ones with their HND counterparts, which are specializing, they may lack some basic ingredients like, Composition, color usage, Balance, Harmony, or even presentation, because they have not been taught. And that is why my higher students are viewed as professionals already.  Even though you may not have noticed, but that HND guy had some 5years input, the 2yrs ND, the 1year IT and the 2yrs HND, so no matter how good the ND man may appear, he still has something more to learn because he had just been deposited a 2 years experience alone. So definitely there are some differences.






FNC: So that means these differences cannot be seen by an external observer?

Answer3: - Yes. You know, art is a very funny subject.  It’s like comparing a school cert holder or someone doing art at home with some one studying Art in the school. Sometimes I will meet some people who will approach me and tell me about how great or fantastic their Sons, Cousins, Brothers or Sisters is when it comes to art. But when I take in such student, He/ She will begin to learn everything afresh. And that is why art to the beholder is just like beauty. Isn’t it funny too that a woman liked by someone might be despised by the other. It is all about choices.

FNC: Let’s talk a bit about digital graphics. Today, for example, 3D printing is no longer science a fiction. All over the world, this technology has been cited by those in the manufacturing sector as the next level of manufacturing.
We don’t mean to replace traditional art styles, but as a veteran artist, don’t you think these areas needed to be explored in our higher and other postgraduate studies, since students are expected to consolidate on their previous knowledge there? Would it then one day be possible for students to carry out their final projects using a Cintique, Tablet or a PC and digitally produce a master piece that may be printed on any 2 or 3D surface?

Answer:  Graphics today encompasses many areas.  Before now, it used to be called visual communications, but now it is called media. For example your computer lecturer will only teach you the basics; same applies to your print making lecturer and others too. But when you get out into the real labour market it is there you should be able to tackle real world challenges because of all your simulated training here in school. For example what you are doing today may not be exactly what you learn from school. But the training you acquire there is still relevant. And that is exactly how art is.
When students do assignments they do them in fear, fear of spoiling the work, the fear of criticism. But when one is determined to be the best with constant practice it is possible.


FNC: Every session students all around continue to produce beautiful Masterpieces either as assignments or as projects; only to be awarded marks in return. For example I saw a beautifully done hand painted motif by one of the students in the textile Department and I believe that such prototype should be marketable for the Textile industry. What effort are you making to invite Art collectors and other stakeholders in the industry as a whole to pick the interest and regularly come into our institutions and buy some of the works at a discounted price and for some to scout for upcoming talents and potential employee after graduation?  Or do you think that such exercise would distract the students from concentrating on their studies?


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